As well as being on a road kick and healthy eating kick, I am also on one of my occasional Bond kicks...James Bond that is.
As with everything, my kicks go in cycles, though I think the healthy eating kick needs to be a bit more permanent.
Recently I read what could be called an "off-canon" Bond story, if there is any such thing, called Colonel Sun. It was written by author Kingsley Amis (alias Robert Markham) 4 years after Bond creator Ian Fleming's death. It was definitely something I consider many steps away form Fleming, yet Amis seemed to understand the core concept of James Bond and the character's history. That book was written years after the tale of Bond's one marriage and its tragic end. In fact, the Bond we see im Amis's rendition has not exactly lost his killer edge that helps him to survuve, but in terms of women, he has become more relaxed and much less guarded than he once was, letting things happen as they do because he has seen it all before and knows what to anticipate.
I bring this up again so soon because it segues into the topic of one of my favorite Bond movies, Diamonds are Forever. I first saw this movie about 35 years ago, a rental at the video store. When it was on TV, whatever ratings system the local paper used gave the movie 4 stars.
Now, I said this was one of my favorites in terms of James Bond...but I don't think it earned 4 stars. 3 maybe, or even that wonderful status of 2 1/2.
Critical aren't we, Bryan?
Yes, but I say the same for many a kooky movie that I enjoy watching. 4 stars is reserved for some level of acclaim, be it an epic war or western or other period piece that keeps my ass glued to the seat afraid to miss something. There is a long silly moon buggy chase scene in Diamonds that is easy to go relieve myself during.
After You Only Live Twice, Sean Connery quit playing Bond, and in my opinion, rightly so. He had become such a celebrity in the role that it was hard to escape its hold. After the seeming disaster of On Her Majesty's Secret Service (the movie was actually quite good except for the actor playing Bond), the producers pretty much begged Connery to return, giving in to a few costly demands along with it being his final Bond movie (well, not quite).
If one looks at Connery thoughout Diamonds, they likely notice he's a bit older around the eyes since 1967, and much of the old intensity from 1962-63 is gone. In fact, much of the time he looks like he is on a lark, much like the next 7 Roger Moore Bond movies. The exception here is Bond strangling a woman to get information and slapping an insolent Jill St John, two acts that Moore never performed.
Of course, I have read the book many times, one of my favorites because it flows quite well. The basic diamond smuggling plot from the book gets the movie going for about an hour or so with some variation before he realizes he did not kill the real Blofeld.
Let me go back a bit.
In 1969, Bond married Tracy and just an hour or so later, Ernst Stavro Blofeld and his ugly henchwoman Irma Bunt tried to gun both down on the road but only Tracy had died. Cut to the opening of 1971's Diamonds and James is scouring the earth looking to find and kill Blofeld. He finally tracks him to a plastic surgery clinic where more than one Blofeld is being created. Bond kills one and then believes he is confronted by the real one, whom he also kills.
After that, the diamond smuggling caper begins with Bond following wily Tiffany Case to America to see what is happening to the diamonds being smuggled from South Africa. He impersonates smuggler Peter Franks, is almost incinerated at a Las Vegas mortuary, and shows his dice-rolling acumen in a casino. He meets casino-hustling Plenty O'Toole who is impressed with his ability to rake in the dough. They are about to have a one night stand before Tiffany Case has her men toss her into the pool several floors below. Plenty is later killed by a (assumed) homosexual pair named Mr. Wint and Mr. Kidd who are killing everyone involved in the diamond smuggling to close up shop.
Soon, Bond finds out who took the diamonds, a Dr. Metz. He sneaks into Metz's van at a gas station while now seemingly reformed Tiffany provides a distraction. He is taken to a scientific facility where there is apparently a radiation risk (he is given what is obviously a useless device to wear on his chest called a radiation shield). Once Bond is discovered, the movie descends into a silly antic of a moon buggy chase which evolves into a car chase in and around downtown Las Vegas (actually a fun scene if you know the places they show).
After that, Bond decides to pay a visit to the elusive and reclusive Willard Whyte by climbing to the top of the Whyte House, wher ehe meets not Whyte but a very much alive Blofeld with his one remaining clone. Of course, Bond kills the wrong one and the real Blofeld tries to have Bond killed and buried by Wint and Kidd, but Bond escapes.
The real Willard Whyte is found and rescued after Bond is beaten up by guards Bambi and Thumper (another silly scene), and thereafter, Blofeld's base is discovered on an oil rig where Tiffany is a willing prisoner who tries to help Bond but is revealed to be a fairly brainless "broad", unlike the Tiffany of earlier in the movie. Nevertheless, she and Bond escape after Bond ram's Blofeld's bathosub into the rig's main headquarters building. Wint and Kidd make one final assassination attempt on two on a cruise ship before Bond sets one on fire and the other with a bomb, both going overboard to their deaths.
Truly, once the Blofeld nonsense is kicked up more than halfway through the movie, the film loses a lot of flavor...3 stars the first half, two stars the second half.
The book, however, is not just in Nevada but also in Saratoga Springs, New York. Plus, the book was published in 1956, 5 years before Blofeld was introduced in Thunderball. The mob is heavily featured in this story, a break from the Soviet SMERSH stories previously published. Wint and Kidd are also in the book, shown as butch assassins. Tiffany Case is also in the book, but her character stays true as a troubled young woman trying to make it in life, even if it is working for gangsters.
And that takes me to Ernst Stavro Blofeld himself. The movies introduced him as a mysterious character who is the head of SPECTRE as early as From Russia With Love in 1963, then Thunderball in 1965. His face is not seen in either. He is finally fully seen in You Only Live Twice in 1967 in the form of Donald Pleasance, a fairly creepy and perhaps the best Blofeld characterization. In On Her Majesty's Secret Service, Blofeld is a taller and more eloquent Telly Savalas, and he also did a good portrayal.
But in Diamonds, he is played by Charles Gray, a quite NONTHREATENING performer. If you are not familiar with Gray, you might remember him as the "Criminologist" in The Rocky Horror Picture Show. The producers fell on this one in terms of Bond villain casting, and that is the weak part of the movie.
Back to Connery, he walks through the movie so nonchalantly, you'd almost think it was meant for Roger Moore. The threatening bra strangulation and slapping Tiffany are about the only moments you can see it's a shadow of the cold war spy we met in 1962 (well, I first saw him on some ABC Sunday Night Movie or a Blockbuster rental).
So why do I like this movie? It has a good feel before Bond is reunited with Blofeld more than halfway through, and any movie featuring Las Vegas during the majority has a certain appeal for me.